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Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto, by Chuck Klosterman
Ebook Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto, by Chuck Klosterman
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From the author of the highly acclaimed heavy metal memoir, Fargo Rock City, comes another hilarious and discerning take on massively popular culture—set in Chuck Klosterman’s den and your own—covering everything from the effect of John Cusack flicks to the crucial role of breakfast cereal to the awesome power of the Dixie Chicks.
Countless writers and artists have spoken for a generation, but no one has done it quite like Chuck Klosterman. With an exhaustive knowledge of popular culture and an almost effortless ability to spin brilliant prose out of unlikely subject matter, Klosterman attacks the entire spectrum of postmodern America: reality TV, Internet porn, Pamela Anderson, literary Jesus freaks, and the real difference between apples and oranges (of which there is none). And don’t even get him started on his love life and the whole Harry-Met-Sally situation.
Whether deconstructing Saved by the Bell episodes or the artistic legacy of Billy Joel, the symbolic importance of The Empire Strikes Back or the Celtics/Lakers rivalry, Chuck will make you think, he’ll make you laugh, and he’ll drive you insane—usually all at once. Sex, Drugs, and Cocoa Puffs is ostensibly about art, entertainment, infotainment, sports, politics, and kittens, but—really—it’s about us. All of us. As Klosterman realizes late at night, in the moment before he falls asleep, “In and of itself, nothing really matters. What matters is that nothing is ever ‘in and of itself.’” Read to believe.
- Sales Rank: #34452 in Books
- Brand: Klosterman, Chuck
- Published on: 2004-07-02
- Released on: 2004-07-02
- Original language: English
- Number of items: 1
- Dimensions: 8.44" h x .80" w x 5.50" l, .55 pounds
- Binding: Paperback
- 272 pages
Amazon.com Review
There's quite a bit of intelligent analysis and thought-provoking insight packed into the pages of Chuck Klosterman's Sex, Drugs, and Cocoa Puffs, which is a little surprising considering how darn stupid most of Klosterman's subject matter actually is. Klosterman, one of the few members of the so-called "Generation X" to proudly embrace that label and the stereotypical image of disaffected slackers that often accompanies it, takes the reader on a witty and highly entertaining tour through portions of pop culture not usually subjected to analysis and presents his thoughts on Saved by the Bell, Billy Joel, amateur porn, MTV's The Real World, and much more. It would be easy in dealing with such subject matter to simply pile on some undergraduate level deconstruction, make a few jokes, and have yourself a clever little book. But Klosterman goes deeper than that, often employing his own life spent as a member of the lowbrow target demographic to measure the cultural impact of his subjects. While the book never quite lives up to the use of the word "manifesto" in the title (it's really more of a survey mixed with elements of memoir), there is much here to entertain and illuminate, particularly passages on the psychoses and motivations of breakfast cereal mascots, the difference between Celtic fans and Laker fans, and The Empire Strikes Back. Sections on a Guns n' Roses tribute band, The Sims, and soccer feel more like magazine pieces included to fill space than part of a cohesive whole. But when you're talking about a book based on a section of cultural history so reliant on a lack of attention span, even the incongruities feel somehow appropriate. --John Moe
From Publishers Weekly
There's a lot more cold cereal than sex or drugs in Klosterman's nostalgic, patchy collection of pop cultural essays, which, despite sparks of brilliance, fails to cohere. Having graduated from the University of North Dakota in 1994, Klosterman (Fargo Rock City) seems never to have left that time or place behind. He is an ironically self-aware, trivia-theorizing, unreconstructed slacker: "I'm a `Gen Xer,' okay? And I buy shit marketed to `Gen Xers.' And I use air quotes when I talk.... Get over it." The essay topics speak for themselves: the Sims, The Real World, Say Anything, Pamela Anderson, Billy Joel, the Lakers/Celtics rivalry, etc. The closest Klosterman gets to the 21st century is Internet porn and the Dixie Chicks. This is a shame, because he's is a skilled prose stylist with a witty, twisted brain, a photo-perfect memory for entertainment trivia and has real chops as a memoirist. The book's best moments arrive when he eschews argumentation for personal history. In "George Will vs. Nick Hornby," a tired screed against soccer suddenly comes to life when Klosterman tells the story of how he was fired from his high school summer job as a Little League baseball coach. The mothers wanted their sons to have equal playing time; Klosterman wanted "a run-manufacturing offensive philosophy modeled after Whitey Herzog's St. Louis Cardinals." In a chapter on relationships, Klosterman semi-jokes that he only has "three and a half dates worth of material." Remove all the dated pop culture analyses, and Klosterman's book has enough material for about half a really great memoir.
Copyright 2003 Reed Business Information, Inc.
From Booklist
In Fargo Rock City (2001), Klosterman parsed the midwestern heavy-metal scene. Now he broadens his scope to include the cultural implications of subjects as diverse as the Dixie Chicks, Internet porn, and soccer ("'the sport of the future' since 1977"). Fargo Rock City fans may blanch at chapter headings invoking the likes of George Will and Lisa Loeb, but never fear. "George Will vs. Nick Hornby: Ralph Nader Interlude" isn't about Will's wordy conservative philosophy but about Klosterman's tenure coaching a kids' soccer team, among other things. And it's the other things that account for Klosterman's appeal as he makes unexpected connections. Inspired by an early '80s NBA rivalry, he opines that "everyone who truly cares about basketball subconsciously knows that Celtics vs. Lakers reflects every fabric of male existence, just as everyone who loves rock 'n' roll knows that the difference between the Beatles and the Stones is not so much a dispute over music as it is a way to describe your own self-identity." Well, of course. Mike Tribby
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
0 of 0 people found the following review helpful.
Odd Flow but Individually Essays Are Good
By P. Barrett Coleman
I really enjoyed this book for one reason: looking at things that would otherwise be mundane and extrapolating philosophy from them until they become relevant. It's something me and my friends do quite often such as suggesting how different Pokémon reflect people we know in real life. Who knew that talks about MTV's Real World, Billy Joel, Saved by the Bell, or the Sims could help us figure out ourselves. I admit that this book is probably geared towards the college-aged crows, as many of the references are things that we either grew up with or know about.
Though this book comes across as a cynical, comedic work (and trust me, it does), it has an odd way of being very profound with its assessments on life. I really liked the social commentary that talks about the world that will live in today, with people being shown on the mass media as flat and static characters to be more easily understood.
The best parts of the book were actually when he wasn't talking about the topic on hand. Sometimes Klosterman would get off topic and start talking about esoteric revelations of how people come to label themselves; hilarity usually ensued.
The essays might not flow from one chapter to the next, but every one will have you thinking and laughing.
1 of 2 people found the following review helpful.
Sex, "Drums" & Rock N' Roll
By Brian Murphy
As a big fan of Chuck's first book "Fargo Rock City", I was a little let down by his newest essay book. Some of the reviewers seem to be amazed by Chuck's memory of obscure trivia but if you think about it everyone can remember a certain song and who sang it, an obscure sports player and his or her claim to fame, or what type of engine came stock in a 1972 Corvette. All Chuck did was think of something obscure, contemplate it for a few minutes, went on the internet to get the rest of the information and to make sure he was correct and then wrote a short essay. I'm not downing Chuck for this or his book but I'm not going to give him high praise either. There were some interesting essays and then there were a few "soggy" ones. More importantly, was some of the essays that I liked or found interesting were ones I actually disagreed with. But as with music or art, if something makes you think and have a discussion with your friends or family than it should be given its' kudos. Thus, I give 3.5 stars. There were also some topics in this book that were brought up in his first book.
5 of 7 people found the following review helpful.
Frequently Hilarious Essays on Pop Culture
By A. Ross
In the footsteps of Klosterman's Midwestern memoir/history of hair metal (Fargo Rock City) comes this collection of eighteen essays bearing the asterixed subtitle "A Low Culture Manifesto". The subtitle itself speaks volumes about the author's general style:a hyper-ironically witty phrase that displays a certain level of erudition along with a wink-wink, nudge-nudge. Klosterman is almost exactly my age, which means that our broad exposure pop culture exposure has been nearly identical, and while I greatly enjoyed the majority of the essays, there's a tension in his writing between wanting to make fun of low culture, and wanting to treat it seriously. It's the same tension (and flaw) of Fargo Rock City-he's writing about his guilty pleasures, but can't quite commit to the guilt or the pleasure. All that aside, I've probably recommended this book to more friends of mine than any other in recent months.
If you browse it in the store be aware that the first essay (about how John Cusak, and emo songsmiths like Coldplay have made the concept of love very tricky for Gen Xers-or at least middle-class white ones), is far and away the best in the book. Which is not to say there isn't a lot of other great stuff. The second essay, about the computer game The Sims, is hugely funny (if only slightly insightful) and the fifth (which first ran in The New York Times Magazine) is an engaging account of a weekend spent on the road with a Guns N' Roses cover band. The sixth is also quite strong, being a comparison of Pamela Anderson with Marilyn Monroe that seeks to explain how the role of celebrity has changed over the half-century between them. His essay on internet porn is brief, funny, and moderately thoughtful. Essay ten, on children's breakfast cereals is almost entirely tongue in cheek, and is hilarious. His thirteenth essay wins the prize for best title ("The Awe-Inspired Beauty of Tom Cruise's Shattered, Troll-like Face"), and is a mostly enjoyable muddle of thoughts about contemporary film. After this is a rather wandering (but good) piece on the popularity of country music. Essays sixteen and seventeen are all about the media. The first is a sort of general purpose "here's the truth about the media from an insider" piece, and the second is a very keen report on music critic's conference. Closing things out is a critique of the wildly popular "Left Behind" series. I would recommend all of these to various of my friends.
However, a third of the book isn't so good.. The third essay is about MTV's The Real World series, and fails to make any original points about the reality genre. The fourth is a tortured attempt to explain why Billy Joel is cool, and fails on all levels. The seventh entry is a really weak anti-soccer piece that is a total failure except for a portion where he details his job as a youth baseball coach and subsequent firing. The next essay, about the Lakers/Celtics rivalry of the '80s is equally muddled, and incoherent (probably way more so to those who weren't paying attention to the NBA in the '80s). Essay eleven is about the seminal TV show Saved By the Bell, which I've never watched, so that one went right over my head. This is followed by a rather weak essay attempting to tie Gen X malaise to The Empire Strikes Back.
Klosterman's writing style is kind of love it or hate it (I love it). He's too clever and sarcastic by half, and doesn't mind showing it off, which can be kind of refreshing. He's also one of the best writers I've encountered when it comes to profanity-he uses it a lot and quite naturally, which helps to draw you into his bizarre little world. He's also a hilarious footnoter, for example, his essay on Internet porn starts: "When exactly did every housewife in America become a whore?" with the footnote reading "Except of course, my mom." He's also a very prolific digressor, which may infuriate those who want writers to adhere to their one main point, but I rather enjoy the little side trips. I found the 2/3 of the essays that I liked so engaging that I'm willing to let the other 1/3 slide-this time.
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