Kamis, 31 Januari 2013

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Fire in the Belly, by Sam Keen

Drawing from personal anecdotes and from a wide variety of workshop and support group stories, Keen examines how men define themselves in the 1990s now that roles have changed. 2 cassettes.

  • Sales Rank: #4437002 in Books
  • Brand: Brand: Random House Audio
  • Published on: 1991-05-01
  • Released on: 1991-05-01
  • Formats: Abridged, Audiobook
  • Original language: English
  • Dimensions: 7.50" h x 4.50" w x 1.00" l,
  • Binding: Audio Cassette
Features
  • Used Book in Good Condition

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Selasa, 29 Januari 2013

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Free Falling, by Kirsty Moseley

They say that your school years are supposed to be the best years of your life, and that you should make the most of them because you’ll miss them when you’re all grown up. Up until Maisie Preston’s senior year, she would have totally agreed with that statement. Life was great, she had everything going for her, excellent grades, great parents, an annoying yet caring twin brother, and an impossibly sweet boyfriend. Everything was perfect - that is until the arrival of Zach Anderson. A misfit delinquent that seemed to bring with him a lot of bad karma. Is it just a coincidence that his arrival marks a significant change in Maisie’s life? Up until senior year, life was perfect, but things seem to be going downhill fast.

  • Sales Rank: #1259911 in Books
  • Published on: 2013-05-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .71" w x 6.00" l, .91 pounds
  • Binding: Paperback
  • 282 pages

Most helpful customer reviews

5 of 6 people found the following review helpful.
There was No Connection, No Climax, No Closure.
By Katie
I am a huge fan of Kristy Moseley. I'm one of those people that reads at least three hundred books a year, and still is never sated. I loved both of her other books (The Boy Who Sneaks in my Bedroom Window and Always You.) They kept me up at night. I couldn't go to sleep until I'd finished them. That's why I don't understand what happened with Free Falling.
I didn't understand why the guy she's supposed to be with was hardly ever around. I didn't even understand the main character, Maisie, very much. I couldn't get connected to her. There was no draw and very little personality. She did a lot of moping, pouting, crying, and was one of the most indecisive characters I've ever read. She went from boring me to seriously irritating me a third of the way through the book.
There was very little climax. The obstacle plot was fine. It kept the suspense up, and was laid out well enough to have you wondering and guessing who the culprit was. BUT there was no true climax. That one moment that's supposed to be the "all or nothing." In the climax, CHOICES are supposed to be made. Brave or scaredy cat. Love or hate. Pick a guy. Make a profound realization about yourself. At least, SOMETHING. But nope. Maisie doesn't make choices. She just sits back and lets everything happen to her. Only taking a stand or doing the right thing, when she finally has no other options. Woohoo, that's my kind of heroine.
And finally, closure. There was none of it. (Also, by this point, you hate Maisie, you hate her boyfriend, you hate the story, and you have figured out that nothing is going to end the way it's supposed to. But because you're one of those people who can't stop reading a book forty pages before the end, you finish it anyway.) The entire book, you've been waiting for the girl to finally get together with the guy she's OBVIOUSLY supposed to be with. . . . . . . . . Never happens. (BTW: That was the only reason you'd read this far.) Then there's some more crying and inaction. Then when "the truth" comes out, Maisie does nothing about it. She doesn't offer up the knowledge or justice she could provide for herself or any of the other people that were hurt -- some of them hurt much worse than she was. She buries the truth. Hides it. And then does something super illegal and lies about it. (Somehow, I'm making it sound more interesting than it was.) And that's how it ends. Well, then there's an extra chapter about the guy . . . the one that she was supposed to be with. It seems like a prologue to the next book, BUT apparently, there isn't going to be sequel.
Waste of money. Definitely. Priced higher than her others, and it was only about a third of a story.
Miss Moseley! I am still a huge fan. I truly hope that you write a gazillion more books. But . . . Well, I'm not even sure what genre Free Falling is supposed to be. The description makes it sound like a romance, which it's obviously not, so . . . Mystery? Horror? Disaster Fiction? Whichever. Write some more romance books. You're so good at those. Go with what you know. This story just sounded like something that would be a thread or single character from one of your romance books. Like it all could have been going on in the background. Like Amber's dad. Or Riley's psycho stalker. This on its own, just wasn't enough.

6 of 7 people found the following review helpful.
Have some tissues handy!!
By LauraT
Loved the book. Loved seeing Clay and Riley as parents. Could not put the book down. Finished in a few hours. Hope there is another book. This book takes you through every emotion. I definitely think you should read it!!

7 of 9 people found the following review helpful.
Umm what?
By Anabel
The blurb portrays Zach being a major part of the book, but he was barely included. The interaction between the main character and him were really sparse. There was no hint or anything about a romance starting. I love Kirsty Moseley, but this book just didn't do it for me!!

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Jumat, 25 Januari 2013

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Dionysus in 69: The Performance Group, by Richard, Ed. SCHECHNER

  • Sales Rank: #2614870 in Books
  • Published on: 1970
  • Binding: Hardcover
  • 200 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
A strange and powerful interpretation of this ancient play. ...
By tornado
A strange and powerful interpretation of this ancient play. But I have to point out something sinister: on the page opposite the page that has in bold letters, I AM THE MESSENGER, isn't that Jim Jones of the Peoples Temple sitting in the audience?

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Selasa, 22 Januari 2013

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Oxford English-Hindi Dictionary, by S. K. Verma

With over 25,000 words and phrases, the Oxford English-Hindi Dictionary offers comprehensive coverage of everyday vocabulary. Each English headword is translated into Hindi, and expressions and phrases illustrate how words are used in context. Words are labelled in Hindi according to subject, and whether the language is formal or informal, and there is plenty of useful information on the usage of various English words. Other helpful features include grammatical information on irregular verbs, nouns, and adjectives, and easy-to-understand pronunciations in Hindi script for every headword. The dictionary also contains useful appendices on Roman numerals, weights and measures, and chemical elements. All of these features are packed into a compact, portable format, making this the ideal dictionary for learners and teachers of English, and those who want to improve their command of the English language.

  • Sales Rank: #163368 in Books
  • Published on: 2003-06-01
  • Released on: 2003-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.00" h x 4.50" w x 1.50" l, 1.37 pounds
  • Binding: Hardcover
  • 800 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Printing defect
By T K Readermama
Some of the pages have double printing so about 100 pages are unreadable.

32 of 34 people found the following review helpful.
Not a true bilingual dictionary, but excellent nonetheless
By NascentOne
I just have to clarify some aspects of this book. Since it has been designed to help people whose mother tongue is Hindi learn English, it does not translate all the words directly from English to Hindi. However, often there are rather explanations of the English terms provided in Hindi, while some words do not have the requisite English-to-Hindi translation (one word to one word) one would expect from such a dictionary. Further more, the words which are directly translated, do NOT contain the crucial information on their grammatical gender in Hindi (again, it is clearly not a bilingual dictionary and not a "companion" to the Hindi-English dictionary by R.S. McGregor). Still, the book has helped me a lot in learning Hindi's written language.

The reason why this book does not always offer one-word translations of English words, is that they simply do not exist in Hindi. As a native speaker with full proficiency in Hindi (but only the oral language, hence trying to learn the written language), I can affirm that fact. A lot of words relating to Western concepts do not have equivalents in Indian culture, and therefore no real Indian words. Still, the majority of the English words are given direct Hindi translations.

This book does give some colourful and generally humorous translations of concepts which are quite recent or alien in India - for instance pizza (not the best example) is translated roughly as "a round piece of dough on which one may put tomatos". Quite funny to read those kinds of entries!

This dictionary is made in India for people whose native tongue is Hindi and who wish to learn English. That is why there is no information provided on the Hindi nouns' genders. The publication is therefore not intended for non-Hindi speakers to use as an English-Hindi dictionary.

Still, being an Oxford dictionary, I will highly recommend it. The book is excellent in its coverage of Western terms and concepts and gives explanations and translations in the finest form of Hindi I have probably ever read, clearly adhering to Oxford's renowned standards. It still serves as a bilingual dictionary, and serious students will most surely have profit from using it. I have three other English-Hindi dictionaries (and they are, in contrast to this one, marketed as English-Hindi dictionaries for Anglophones learning Hindi) and none of them can compare with the breadth and quality of this Oxford work.

For a formal review and synopsis, consult the product information page for this dictionary at the British version of Amazon, at www.amazon.co.uk . This American version has not added that information.

13 of 13 people found the following review helpful.
A good start
By Theseus Augustus
First, I am an American English speaker, but one who was trained at the University of Wisconsin in Hindi and have several years of Hindi language experience, including a year in India in Varanasi. This is the best such dictionary around. This English-Hindi dictionary is the best one out there, though with caveats noted below.

This is not a good sole reference for beginners. I would advise learning Hindi by taking a class, by using Bhatia's Colloquial Hindi audio course, by watching plenty of Bollywood and by regular tutoring from a native Hindi speaker. You can supplement that with the increasingly plentiful resources on the Internet. The study of Hindi is not an easy thing, though there are some good phrase books for travelers. It is still easier studying Hindi than other Indian languages, if you are not in India.

There is a great deal that still needs to be done before Oxford has a superb English-Hindi dictionary. This dictionary is bereft in contemporary usages. More Hinglish urban/Bollywood, and urban slang typical of Bombay and Delhi should be in this dictionary. Also, urban usage frequently includes words and expressions from regional languages such as Marathi or Urdu. I would like to see more commonly used words from other languages included in a useful dictionary.

An example: under the English word, "god", there is no suggestion of "bhagwaan". I don't understand this. It is in the MacGregor Hindi-English dictionary. I suggest that Verma/Sahai work with MacGregor to cross-reference both dictionaries more extensively, and start making the English-Hindi dictionary more indicative of contemporary usage.

Oxford, you are in the lead. Keep moving ahead with better references please.

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Rabu, 16 Januari 2013

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Faking It, by Elisa Lorello

After breaking off her engagement, 30-something Andi Cutrone yields New England to her ex and flees home to Long Island. There, she devotes her time to teaching in the writing program at Brooklyn University and overanalyzing her past failed relationships. But then she meets Devin, a male escort whose client list seems to include at least half of the accomplished women she knows. He is handsome, charismatic, and absolutely out of her league, but she can't deny he has a certain...something. And so Andi makes him a proposition: If he will teach her to shed her sexual inhibitions, she will teach him to be a writer. He agrees, and together they embark upon an intense partnership that proves to be every bit as instructive as it is arousing.

For in the midst of lessons in rhetorical theory and foreplay, Andi and Devin delve into deeper questions about truth, beauty, and self, stripping away the emotional walls each has built up. Smart, witty, and introspective, Faking It is an engrossing novel about two people discovering their authentic selves.

  • Sales Rank: #55241 in Audible
  • Published on: 2012-11-10
  • Format: Unabridged
  • Original language: English
  • Running time: 461 minutes

Most helpful customer reviews

308 of 316 people found the following review helpful.
More than meets the eye
By Jill Weinberger
From the description on the back cover of this book, I was expecting a light summer romantic read. And that would have been enjoyable enough -- woman with dating issues meets attractive but seemingly unattainable man who ends up seeing more in her than she sees in herself, etc, etc. We've all read books like that and we all enjoy a well written one every once in a while. But "Faking It" goes beyond the genre to something smarter, more sophisticated, something with a little more bite and substance. Andi and Devin are complex characters with an unexpected journey. Lorello's writing is witty and makes for a fun, fast read, but along the way she covers more than romance and sex -- her characters each have fully fleshed out personalities, making sharp observations of their own about everything from art to gender roles to sexual politics. Yes, it's still a great beach book -- you may have trouble putting it down -- but it's a beach book with a brain, and one with characters you care about.

Looking forward to the sequel!

193 of 207 people found the following review helpful.
Good to the Last Page
By M. Webb
When I first dove into Faking It I worried that the premise--Andi Cutrone, a young urbanite takes `love lessons' from a male escort--might be a little too Sex and the City for me. But the weekly lessons surprised me. Instead of sex, they focus on Andi's feeling about herself, her body, her relationships. Somewhere in that tangle of confused emotions every female reader will recognize either the woman she is or the woman she once was.

Then, about a third of the way through the book(yes, I checked the page number)I realized that the weekly lessons, although illuminating and the hook that pulled me in, had become secondary. Instead characters had become paramount. I wondered more about what Andi and her love tutor/platonic friend Devin would do on the other six days of the week. This book could have become an excuse to lurch from love scene to love scene but author Elisa Lorello created believable people that eclipsed their careers(one boring and one naughty). Ultimately, a book that seemed to be about taboo subjects like sex for money was really about something much more prosaic--changes. Changing attitudes. Changing careers. Changing partners.

My biggest round of applause goes out to Lorello for keeping me guessing. Too often books that contain romances follow a predictable formula. We know who the good boyfriend is. We know who the bad boyfriend is. We know who she'll wind up with. The only question mark is what will happen along the way. Faking It kept me guessing until the last page. Really! Thank you Elisa for characters and complex personalities that propelled me to the last page.

59 of 63 people found the following review helpful.
A nice ride
By Larry H. Leitner
A short time into this book I was really taken by Andi. She is someone you know, Got it going professionally but a mess personally. No confidence in herself. Then she works out an arrangement with an escort named Devin. He begins to help her gain some confidence in herself despite not having as much self confidence as he seems to have himself. You really start to root for this girl. You want to tell her to get it together and go after what she wants. She does come close a couple times as things get rolling but she falls short at first. The story really takes you a nice ride from there. A few surprises along the way and a beautiful ending.

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Selasa, 15 Januari 2013

[J579.Ebook] Get Free Ebook Philosophy of Mathematics: An Introduction, by David Bostock

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Philosophy of Mathematics: An Introduction, by David Bostock

Philosophy of Mathematics: An Introduction provides a critical analysis of the major philosophical issues and viewpoints in the concepts and methods of mathematics - from antiquity to the modern era.

  • Offers beginning readers a critical appraisal of philosophical viewpoints throughout history
  • Gives a separate chapter to predicativism, which is often (but wrongly) treated as if it were a part of logicism
  • Provides readers with a non-partisan discussion until the final chapter, which gives the author’s personal opinion on where the truth lies
  • Designed to be accessible to both undergraduates and graduate students, and at the same time to be of interest to professionals

  • Sales Rank: #1262520 in Books
  • Brand: Brand: Wiley-Blackwell
  • Published on: 2009-02-24
  • Released on: 2009-02-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .75" w x 6.00" l, 1.10 pounds
  • Binding: Paperback
  • 344 pages
Features
  • Used Book in Good Condition

Review

“Given this caveat, Bostock’s new book is highly recommendable as a text for undergraduate seminars in the philosophy of mathematics and also for individual study. It covers all the essentials and more. It should appeal not only to students who have already developed a preference for the general approach and style of contemporary analytic philosophy, but also to a broader audience of students and to people with a non-professional interest in philosophy and mathematics.”  (Erkenn, 2011)

"This is a concise as well as comprehensive presentation of core topics in the philosophy of mathematics, written in a clear and engaged manner, hence well readable." (Zentralblatt MATH, 2011)

"This book is an undergraduate introduction to the basic ideas on the nature of mathematics that have played a significant role in the development of philosophy from Antiquity to contemporary debates . . . throughout the book the emphasis is on the basic ideas as well as their current variations, leading up to recent debates between realists and nominalists." (Mathematical Reviews, 2011) 

Review
"The best textbook on the philosophy of mathematics bar none" –Alexander Paseau, University of Oxford

"Bostock's 'Philosophy of Mathematics' is remarkably comprehensive compared to other surveys of philosophy of mathematics. The writing is engaging and clear, and it treats a wide range of issues in considerable depth, including issues that are often ignored or downplayed in more general discussions." –Alan Baker, Swarthmore College

From the Back Cover
In this new introduction to the philosophy of mathematics, David Bostock guides the reader through the basic ideas on the nature of mathematics that have played a major part in the development of philosophy from antiquity to the present.

The chapters proceed historically, beginning with the earliest serious views on the interpretation of mathematics, due to Plato and Aristotle. They then move quickly through the middle ages and the early moderns, but continue with extended discussions of Kant, Mill, and Frege. Later chapters explore the main schools of thought at the start of the twentieth century, i.e. the movements known as logicism, formalism, intuitionism, and what may be called predicativism. These chapters also discuss more modern variations on the same basic themes. Finally the book concludes with a discussion of the most recent debates between realists and nominalists. The emphasis throughout is not simply to describe, but to offer a critical appraisal of, the views discussed. The result is an engaging, clear, and remarkably comprehensive panorama of the major issues in the field.

The book assumes no prior knowledge of mathematics, beyond what is commonly taught in schools, and only a minimal exposure to standard philosophical terminology. It is aimed at undergraduates in philosophy and mathematics, but will also provide an important new perspective on the subject for more experienced readers.

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1 of 1 people found the following review helpful.
Neither Introduction nor Philosophy
By Geoff Crocker
David Bostock provides us with a comprehensive statement and critique of historical and contemporary thought on mathematics, but one which is only comprehensible to the small group of academics who already understand it. It's a rehearsal for the initiated, not an introduction for the newcomer. This is a general problem with academic work which is only subject to `peer review' and not to intelligent generalist review. The result of this process, as exemplified in Bostock's book, is the creation of self authenticating groups of academics who determine amongst themselves how they define and practice important subjects. Students are cloned into the group by a didactic process, whilst wider communities find their interests are excluded.

After the first 100 pages, which are written in intelligible English with occasional use of simple high school algebra, Bostock switches to the use of logic symbols to communicate core ideas, which will be incomprehensible to the majority of intelligent readers. If you expect to read in English, and don't understand writing in squiggles (which I tried to include an example of, but, just to prove my point, Amazon's review font doesn't recognise), then you will be unable to understand this `introduction' and should not buy the book. Bostock's preface statement that `I presuppose an elementary knowledge of modern logic, for without this the subject cannot be understood' is insufficient as a warning that he will write in symbols, and is also untrue. He presents Hume's Principle, Frege's theorem, Russell's paradox, and Gödel's incompleteness theorem, only in this notation, whilst they are perfectly capable of being stated clearly and rigorously in English.

Bostock doesn't define what he means by `mathematics'. When he uses the term, is he talking about one or all of : numbers, arithmetic, geometry, algebra, the calculus, linear programming, heuristic algorithms, proof, theorems, set theory, 'pure' or 'applied' mathematics? It's nowhere made clear, although the majority of references when they occur, seem to refer to numbers, and occasionally to arithmetic and geometry. Bostock, and his fellow practitioners of this obscure art, need to state a typology of mathematics, and make it clear which elements they are discussing at any one time, and how their analysis may bear differentially on each element.

The treatment only rates as `philosophy' to those who so define it, as intensive detailed technicality. The great philosophical questions about mathematics must surely be

i) whether mathematics is objective, or empirical, expressed in the question of whether mathematics is invented or discovered
ii) whether an insistence on consistency can be justified in determining mathematical systems, in which case how are paradoxes explained, and what about the existence of true contradictions addressed by Graham Priest, whose work Bostock completely ignores?
iii) how abstraction operates in human perception and in mathematics, eg how two real chairs can be represented as 1 1 or as 2 or as x, and how such abstractions can be fed through the process of mathematics to yield an additional truth statement which can later be calibrated against the reality of physical chairs, ie whether and how this process is reliable, how abstract entities can be considered to exist etc
iv) how quantification of units works in human perception

These questions have philosophical implications, although the second two questions are more about perception and psychology. If mathematics is discovered, then how come? The same question applies to deductive logic. How is it that nature appears to contain and obey mathematics and deductive logic? How far can we validly work with abstractions? Do we live in a consistent world, and if so where does consistency come from? Or can we really show that these are all human devices? Bostock hints at these issues but fails to address them centrally as the core of what the philosophy of mathematics should be. Rather we are told what Plato, Descartes, Kant, Peano, Zermelo, Frege, Cantor, Russell, Hilbert, Gödel, Benacerraf, Putnam, Quine, Dummett, Chihara, Field, et al thought/think. This is undoubtedly a valid intellectual exercise, but it ends up presenting a history of ideas, without stating an original driving set of questions. The reference when it occurs is almost always back to a theory of numbers, or sometimes to the problem of infinity - nothing more meaningful than this. If you are one of the few able to read this book, you may very well be impressed with the range of answers it offers, but then left asking yourself what the question is. Philosophers of mathematics should do better.

Geoff Crocker Author 'A Managerial Philosophy of Technology : Technology and Humanity in Symbiosis' (Palgrave Macmillan 2012)

3 of 5 people found the following review helpful.
Philosophy of Mathematics: An Introduction
By Sam Adams
This is a fairly detailed book on its topic for readers prepared for its type of philosophical rumination and who are not expecting more than philosophers are typically inclined to give. As is characteristic of introductions to the philosophy of mathematics, Bostock’s book does not assume acquaintance with undergraduate level mathematics, although he does briefly refer to convergence, limits, and differentiation. He does, however, assume acquaintance with the basics of logic and set theory. He also assumes the reader is not new to philosophical analysis. The end result, however, is another earnest, niggling book on the philosophical investigation of elementary school mathematics.

Bostock begins with Plato and Aristotle (chp.1), moves on to Descartes, Locke, Berkeley and Hume (chp.2), spends some time on Kant (chp.2), moves on to Mill with a first look at Frege (chp.3), then gives a quick overview of the concerns for a justifiable foundation for mathematics (chp.4). Once he’s gone through these topics, he begins his discussion of the classic positions on the foundation of mathematics: Logicism (chp.5), Formalism (chp.6), and Intuitionism (chp.7). He follows this with a chapter on Predicativism (chp.8), and finishes with Realism and Nominalism (chp.9).

At some point in reading the seventh chapter, I lost interest in Bostock’s version of critical analysis and his egregious disregard for actual mathematics. Skimming through the remainder of the chapter, and giving him a second chance with several pages into chapter eight relieved me of any desire to give the book more of my time.

This book has not persuaded me that contemporary philosophers have anything to tell me of interest about mathematics. Their perpetual mystification about the ontology of numbers and sets gets tiresome. Philosophers seem to see mathematics as a never-ending metaphysical mystery, the very existence of which as an intellectual endeavor baffles them. They’re like the centipede Russell mentions somewhere that is lying distracted and belly up in a ditch, immobilized because it’s unable to convince itself that it’s possible to walk. Consequently, it never gets anywhere. As it lies there bewildered with its self-imposed disability it shouts out to the centipedes walking adroitly past that walking is more than a mere conundrum, it may even be a veritable misperception; and besides that, the road is arduous, convoluted and labyrinthine – and it surely doesn’t lead anywhere more interesting than what can be found right there in the ditch.

Biographical note – My explicit interest in mathematics arose initially in my late teens after I’d discovered epistemology and, after that, Russell’s view of mathematics arising from logic. I saw mathematics as a logical and structured mental configuration within human cognition, and this seemed to me to be the key to epistemology. Cognitive structures were mathematical, I believed. Logic and mathematical structures were interwoven with the human intellect, and so the study of mathematics was a study of the intellect of the cognitive mind. The philosophy of mathematics was therefore part of cognitive science.

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Rabu, 09 Januari 2013

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  • Sales Rank: #3005873 in Books
  • Published on: 2001-01-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x 1.06" w x 7.60" l,
  • Binding: Paperback
  • 408 pages

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  • Sales Rank: #1279618 in Books
  • Published on: 2002-01
  • Number of items: 1
  • Binding: Hardcover
  • 20 pages

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0 of 0 people found the following review helpful.
Broken button, but book is ok
By S. Ovadia
Book was in good condition, but Captain Cook button did not work. My daughter said it was because nobody likes him anyway. But my son, who this gift was for, was somewhat disappointed.

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Her Turn on Stage: The Role of Women in Musical Theatre, by Grace Barnes

Audiences for musical theater are predominantly women, yet shows are frequently created and produced by men. Onstage, female characters are depicted as victims or sex objects and lack the complexity of their male counterparts. Offstage, women are under-represented among writers, directors, composers and choreographers.

While other areas of the arts rally behind gender equality, musical theater demonstrates a disregard for women and an authentic female voice.

If musical theater reflects prevailing societal attitudes, what does the modern musical tell us about the place of women in contemporary America, the UK and Australia? Are women deliberately kept out of musical theater by men jealously guarding their territory or is the absence of women a result of the modernization of the genre? Based on interviews with successful female performers, writers, directors, choreographers and executives, this book offers a unique female viewpoint on musical theater today.

  • Sales Rank: #1863485 in Books
  • Published on: 2015-06-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .45" w x 6.00" l, .0 pounds
  • Binding: Paperback
  • 220 pages

About the Author
Grace Barnes is a director/playwright who has worked as an associate or resident director on productions of My Fair Lady, Fiddler on the Roof, The Threepenny Opera, Into the Woods, Sunset Boulevard, The Witches of Eastwick, Martin Guerre, West Side Story, and Guys and Dolls in the UK, Germany and Australia. She lives in Sydney, Australia.

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